Valentine’s Day Revel: Don’t miss it!

A REVEL OF POETRY, MUSIC & WINE
to celebrate St. Valentine’s Day

NILS PETERSON & SALLY ASHTON

and

THE SILICON VALLEY GAY MEN’S CHORUS

conducted by

SHAWN REIFSCHNEIDER

TUESDAY, FEBRUARY 14, 2012
5:30 PM
Le Petit Trianon
 The reading starts at 5:30; come early for a glass of wine or soft drink.
A donation of $10 is requested.

Note: Nils and I hope to see you there!
~Sally Ashton, Santa Clara County Poet Laureate

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Ann Muto: A favorite poem

After Too Long A Solitude
by James Ragan

I need to read James Ragan’s poems multiple times in order to appreciate all the rich textures and images he includes.  After all of that, I am challenged to sort out the meaning woven into that tapestry.  For me this poem speaks to what he hopes his words can do.

Ann Muto
Retired educator
Docent: Pt. Lobos State Reserve  and  Japanese American Museum of San Jose

Cupertino



After Too Long A Solitude

I usually wake and walk about the city,
to free my breath, and with a word
brush the feathers of the tongue, softly,
through a whisper, to nudge the silence forward.
I wade in lugs of seaweed, always along the pier pilings
to be a circling wind to the dimpled waters
or a shout one judders like a pebbled can
to shape a timid voice to laughter.
At noon I load the morning’s memory
with sounds of osprey, their walk-talk
clear and sleek as glass glimmerings.
By nightfall when the sky dissolves
into the red twinings of an intimate light,
I dance my words to the lute of a warbling tanager
And watch the fall moon lilt
into myriads of thatched kindling.

If I could breathe all words into infinity,
I’d drink beyond the mind
all of space an original thought inhabits.
I’d spare no passion in believing that it sings.
I’d touch the sun as if it were new,
as if for the first time to name a thing,
the rust in fire, cloth in stone.  I’d carve the wind
with parting lips to know the ivory in its sensations,
as if a kiss like a gesture, formed a thousand times,
were immigrant to a foreign skin.
And always and in every dance,
I would want to hear each note passing into song
as a beat rising to crescendo, timeless as an insight
or a moon in the shade of the sun,
in spiral spins of inspiration, arriving
at once with being gone.


James Ragan

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Susie Rosario: A favorite poem

Annabelle Lee
by Edgar Allen Poe

My father read the following poem to me as a child and I have always remembered it well. It’s “Annabelle Lee” by Edgar Allan Poe. It’s sad, but shows the intensity of true love and the heartache of it’s loss.

Susie Rosario
Office Specialist III
Public Health Nursing
San Jose



Annabelle Lee

It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.

I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.

And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.

The angels, not half so happy in heaven,
Went envying her and me-
Yes!- that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.

For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling- my darling- my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.


Edgar Allan Poe

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Joel Katz: A favorite poem

Wrong Side of the River
by Stanley Plumly

One of my favorite poems is Stanley Plumly’s  “Wrong Side of the River” from his book Now that My Father Lies Down Beside Me: New and Selected Poems 1970-2000. I’m struck by Plumly’s exactitude in describing a situation where  there is inexactness and doubt.

Joel Katz
Age 60
Computer software consultant
Palo Alto


Wrong Side of the River

I watched you on the wrong side
of the river, waving. You were trying
to tell me something. You used both hands
and sort of ran back and forth,
as if to say look behind you, look out
behind you.
I wanted to wave back.
But you began shouting and I didn’t
want you to think I understood.
So I did nothing but stand still,
thinking that’s what to do on the wrong side
of the river. After a while you did too.
We stood like that for a long time. Then
I raised a hand, as if to be called on,
and you raised a hand, as if to the same question.


Stanley Plumly

(note from Poet Laureate: I do hope you all take advantage of the links provided to learn more about each of these terrific poets and their poetry! ~Sally Ashton)

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Poetry on the Move: Submissions now closed

With over 100 poems collected during the month of January from enthusiastic Santa Clara County resident writers, the submission period for Poetry on the Move has now ended. It’s time to begin the judging process. From what I’ve seen, I know it won’t be easy. But I’m looking forward to spending time with the collected poems, to enjoy the craft, sentiment, and varied expressions around “Invention,” the contest’s theme. Each poem in itself is an invention of the imagination and a tribute to what it means to live here in our county.

The contest is “blind,” meaning that the poems have been separated from their author’s identity. Each poem will be read and considered in light of the contest guidelines by a select series of readers who will help determine the finalists to be passed on to the outside judge, poet Jennifer K. Sweeney, winner of the James Laughlin award. She will select the five winning poems that will appear in VTA light rail and buses in April this year, National Poetry Month.

I can’t wait! But no, it’s not an easy task, and I want to take this moment before the reading and weighing and deciding begins to thank each and every poet who took the time to consider our life together in the Silicon Valley, who picked up a pen or sat at a keyboard and gave the effort I know each poem represents. Thank you for making my task difficult!

Winners will be announced by April 1. We are all fools for poetry!

Stay tuned.

Sally Ashton
Santa Clara County Poet Laureate

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Al Young: A favorite poem

In your body all bodies lie
by Kenneth Patchen

Kenneth Patchen’s poem has quivered in my heart, almost word for word, for all of my lyric life. I was 15 when I first plucked it from the poetry shelf of the Detroit Public Library. It still gives me goose-bumps. In June 2011 my lovely, ornery aunt died. I can’t forget that reincarnation was slashed from Christian doctrine centuries ago by the Emperor Justinian and the Empress Theodora. When I pitched this history to Aunt Mae — a stubborn, Bible-bent Christian — she couldn’t buy it. Surely Patchen, an ornery, renegade poet, knew instinctively that “we” are far more than this interim cocoon of flesh.

Al Young
Former California State Poet Laureate



In your body all bodies lie

In your body all bodies lie, numbers in a caravan bound nowhere. They do not belong to you, nor you to them. All men have fed you with their want, and to them you shall return nothing; for it is not certain by whose will, nor from what womb you come. Do not grieve, therefore, for those who are lost to you; they were ever so to themselves—emerging from the unknown into what is known by none save the dead, they leave no track that time’s vast foot will not cover. They who know nothing of punishment have been known to perish for terrible sins. Life’s end is life. What is universal cannot be lost. The opinion of grammar has become the opinion of your world: through use of their own action, words rule the heads of men. Your native zone is silence; everything you want is within you. Do not seek the ungranting fire; man himself is the flame.


Kenneth Patchen
from The Collected Poems of Kenneth Patchen


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Kathy Johnson: A favorite poem

The Bookstall
by Linda Pastan

Linda Pastan’s poem, “The Bookstall,” always makes me smile. It takes a seemingly simple mental task — choosing a couple of books from a library or bookstore — and describes it in delightfully physical and emotional images which absolutely ring true for me.

Kathy Johnson, 67
Retired teacher
San Jose



The Bookstall

Just looking at them
I grow greedy, as if they were
freshly baked loaves
waiting to be broken open–that one
and that–and I make my choice
in a mood of exalted luck,
browsing among them
like a cow in sweetest pasture.

For life is continuous
as long as they wait
to be read–these inked paths
opening into the future, page
after page, every book
its own receding horizon.
And I hold them, one in each hand,
a curious ballast weighting me
here to earth.

Linda Pastan


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Darrell Dela Cruz: A favorite poem

To the Hustler
by Harold Norse

Some well known poems are known for themes like anti-war or technology.  The message is powerful, but sometimes those poems lack raw, chaotic, true emotion.  Conversely, poems that are known for raw, chaotic emotion from the depths of the human soul like love and depression lose appeal since there are so many of them.  “To the Hustler,” always keeps me on my toes because the poem is not strong enough to hold a powerful message, or hold onto emotion.  The poem searches for it — desperately searches — the search is heartbreaking.

Darrell Dela Cruz
Academic Coach
San Jose

To the Hustler

As Boris Karloff marches to the electric chair in The Walking Dead
you’re jacking off
But when you imitate the mating call of the Double-breasted Yellowbellied
Sapsucker
Out on the café terrace
You attract even the local birds to the telephone wires
Who answer with bird notes of love
because you are wild
and free
and scream with the sheer joy of being 20 years old
a giant of beauty and anarchy
and when you play the guitar and sing
You establish the live connection with pure pleasure!
Well is it love? All
we need is money
You say you will support me
We could bottle the perfume of your crotch and make a bundle
You get hard ons for TV
That I’m no competition for
but I could gaze at your lips and eyes
Forever
browse in your pits
explore those eyes
that see only yourself
in a child’s shamanistic dream

There’s so much to tune into
But when you break your word and lie
I’m unhappy
you’re breaking my trust
and love can’t survive a hustle
watch out baby
cool the hustler’s sleazy charm
life’s a bitch
the magic splits

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One week left to submit: Poetry on the Move

Don’t be left out. Submit your poem to Poetry on the Move this week. Submissions close January 31st, next Tuesday. Full details, submission guidelines, and online submission manager can be found at the Poetry on the Move link. >>>>

Don’t be left out!

Sally Ashton
Santa Clara County Poet Laureate

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Kate Evans: A favorite poem

Spring
by Mary Oliver

Because of the way this poem looks as though it’s stepping down, down, down—I can feel the bear coming down the mountain as I read.  This poem has the perfect use of a colon and a question.  At the end of the fourth stanza, I can’t help but hold my breath at the colon.  And then the question (“how to love this world”) always takes me by surprise, even on the zillionth reading.  I love how the fierce images of the bear (sharpening her claws, her tongue “like a red fire”) add up to an oxymoron of “dazzling darkness.”

Kate Evans
Lecturer, San Jose State University

Spring

Somewhere
    a black bear
        has just risen from sleep
            and is staring

down the mountain.
    All night
        in the brisk and shallow restlessness
            of early spring

I think of her,
    her four black fists
        flicking the gravel,
            her tongue

like a red fire
    touching the grass,
        the cold water.
            There is only one question:

how to love this world.
    I think of her
        rising
            like a black and leafy ledge

to sharpen her claws against
    the silence
        of the trees.
            Whatever else

my life is
    with its poems
        and its music
            and its glass cities,

it is also this dazzling darkness
    coming
        down the mountain,
            breathing and tasting;

all day I think of her–
    her white teeth,
        her wordlessness,
            her perfect love.

Mary Oliver

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